
I wrote a novel and published it in April of 2013. Before that, back in my teens, I wrote a bit—but it never amounted to much. I also wrote lyrics and music in a band that was basically a garage band that never went anywhere. That’s usually how it goes: you go from teen to adult, and jobs—especially girlfriends—get in the way. (Just ask the Beatles. Shout-out to Yoko!)
Musicians weren’t paid much back then, and they still aren’t now, so bills had to be paid. Still, I miss my Japanese black-and-white Fender Strat that I sold in the ’90s when I decided I was “done” with music. Of course, I had a Strat because Ritchie Blackmore (Deep Purple) and Dave Murray (Iron Maiden) had one.
In the mid-2000s, I found myself with an idea for a story I wanted to write. Like my earliest attempts, the characters and setting were European—Great Britain, specifically. That goes all the way back to my first real effort at fiction in my early teens, a story called Tales of the White Witch, inspired by Elisabeth Goudge’s novel The White Witch.
That story, written when I was 13, was set forty years after the English Civil War (1642–1651). It followed a young healer named Sarah Ann Taylor, living alone with a cat and a pet raven, ostracized by her village unless someone needed healing. Her only friend was the local reverend, a genuine believer who had lost his wife and son in the war decades earlier. In the end, Sarah survives after being tied to a stake to be burned by the townspeople.
Heavy stuff for a 13-year-old—but I doubt that story will ever see the light of day.
When I began Blood of the Innocent, the story could easily have been told in England. But I’m a stickler for knowing exactly what’s happening in a place at a given time, so I brought the story home. I wanted to tell this area’s history while the characters moved through it.
I used a few real landowner names but didn’t go any further than that—so no, none of the McFaddins or Frenchs were running around with hatchets in an 1875 murder novel. I did use the Menard House in Galveston as a meeting place, where the main character hopes to buy land and start a new life. I also leaned into the very real—and very idiotic—notion of why Galveston was believed to be safe from hurricanes while Indianola was not.
If you’re interested, I wrote about that here:
https://www.rediscoveringsetx.com/2012/07/12/the-destructive-side-of-history/
Many of the characters were inspired by people I knew or am related to. Etienne Broussard, for example, was based on A.C. Hebert of Vinton, Louisiana. I first met him at his store and later got to know him better when he opened Giorgio’s nightclub. He got me hooked on Quarter Horse racing, and I remember driving through the back area of Delta Downs—past the stables—to watch one of his horses run. His horse, Bobareba, won a race it wasn’t supposed to, and A.C. had some very colorful things to say to the unhappy spectators afterward. He was a real character, and a real inspiration—though the version in the novel is a bit milder.
One character who was supposed to die early ended up surviving. That character was based on a family member I have no ill feelings toward, but they fit the role perfectly—and I had a wonderful time torturing them all the way to the end. When you’re writing, you’re God, and these things happen.
I made a point of referencing real locations so readers could follow where the characters were in each chapter and understand what existed at the time. Many readers recognize the mention of the Indian mounds in Port Neches at Grigsby’s Bluff, but there’s no mention of Port Arthur—because in 1875, Arthur Stilwell hadn’t yet been told by the ‘Brownies’ to build his railroad to the Gulf. The next town south was Sabine.
(Shout-out to Sam Houston for Sabine and Sabine Pass even existing.)
Aurora’s homestead was located north of Lake Sabine until the 1886 hurricane convinced everyone that higher ground was a better idea. The Sparks family, who left Aurora had a cemetery located on what is now the DuPont refinery site. That cemetery was removed in the 1950s and relocated to Forest Lawn Cemetery in Beaumont. This removal was legitimate—unlike many Beaumont cemeteries, which were simply paved over.
If you’re curious:
- Indian Mounds:
https://www.pngindians.com/football/southeast-texas-indian-homeland-the-burial-mounds-of-old-port-neches/ - Aurora, Texas:
https://www.tshaonline.org/handbook/entries/aurora-tx-jefferson-county - Grigsby’s Bluff:
https://www.hmdb.org/m.asp?m=170581 - Sam Houston and Sabine Pass:
https://panews.com/2017/02/24/sabine-pass-origin-predates-texas-republic/
I also wanted to describe what the landscape looked like in 1875—because it was nothing like what we see today. You wouldn’t have seen trees until you were deep into Beaumont. I once had a then-and-now photo from the Beaumont Enterprise: a shot taken in the 1920s where South Twin City Highway crosses 32nd Street in Port Arthur, looking as bare as the road to Sabine Pass. The 1950s photo—probably around 1959—showed the new high school buildings clearly from the south. Today, you can’t see them at all.
About 90% of the vegetation here isn’t native. Bermuda grass came from Africa. St. Augustine grass was developed in a laboratory—which is why it doesn’t grow from seed. Chinese tallow trees (or, as my uncle called them, “Port Arthur trees”) were introduced because someone wanted to see leaves change colors. Shout-out to my yearly “Hangin’ with Aggies” continuing education at Doggett Park.
Several people helped along the way with this project. I contacted Texas Parks and Wildlife in Angelina County to confirm whether alligators were present in the area in 1875—since one character mentions seeing them. I also relied on a W.T. Block article noting that 20-foot alligators were recorded at Sabine Pass during that period.
The French translations were done by Thomas Boissy, a French singer I met through Sellaband in the early 2000s. Kristen Tabor was a major influence and encouraged me to publish the novel. She’s an excellent writer and an even better person.
Kristen Tabor’s books:
https://www.amazon.com/stores/author/B00852FF1O
Thomas Boissy:
https://youtu.be/oHM1dTv1jlY
Blood of the Innocent was intended as the first book in a three-part series. I haven’t finished the second book yet, though seven chapters are done. Time will tell. As my old neighbor Roy used to say, “If I finished all the projects I’ve got now, I’d be 140 before I started anything new.”
If you’d like to explore my work, Blood of the Innocent is available on Amazon. Prime members can read it for free, and it’s also available at the Port Arthur, Nederland, and Port Neches libraries.
Amazon link:
https://www.amazon.com/Blood-Innocent-P-C-Prosperie-ebook/dp/B00CA9IOIE/
Until next week.






















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