Bradley Johnson

Sometimes, you spend years thinking about some historical event or process in a certain way, until a fact comes along that changes the whole scenario, or at least part of it. Some people tend to dismiss this. However, “History is written by the victors” is a quote that most need to know because it is true—history changes based on who writes it. This phenomenon applies to both major and minor historical knowledge, as well as the views of certain historical accounts. Humans tend to be human, and occasionally they do not check their facts. We are all guilty of this, whether we acknowledge it or not.

My first encounter with this problem occurred when I was researching Catherina Jeanette Stengle. On a cold Saturday morning in 2012, I was walking in Magnolia Cemetery photographing headstones of veterans with a couple of friends. That day, I was told that Catherina was a seamstress who saved all her money and purchased the twelve grave plots along with the mausoleum and the Saint Katherine of the Wheel statue. It wasn’t long before my research told a different story. If you’re interested in reading Stengle’s story, I have a link at the bottom of this blog.

In this case, the storyteller wasn’t a historian; he just repeated a story he had learned and didn’t check whether it was correct. I did. However, on a few occasions, I also did not check. Regarding this, I want to get into one story that was brought up in one of our Jefferson County Historical Commission meetings.

A member brought up the story of a shootout in Nederland in the early 1900s, and another member mentioned the story of a similar shootout in Sabine Pass that involved someone named Bradley Johnson. I’d heard the Johnson story before and thought I knew who was involved. I was certain there were a few articles written about it, but my Sunday morning research told me otherwise. I reached out to a couple of people who knew the story and might have written articles on it, but I found nothing. The only information I got was that William D. Quick mentioned it to them. This made sense because he was the authority on Sabine Pass history. I did go through Bill’s papers at the Sam Center in Liberty, where they are kept. “Maybe I saw an article about it there,” I thought, but it had been ten years. Someone who knew the story and was with me ten years ago sifting through Bill’s papers reminded me that he had a file on ALL the families and people of interest in Sabine Pass. So, it looks like my near future holds a trip to the Sam Center!

I found the original article from The Beaumont Enterprise about the confrontation in Sabine Pass, and I will tell you what I learned; I will also add photos of the article for you to read on the blog. There are also some odd details missing from this historical event, which I want to get into.

If you research the history of Jefferson County online, you will frequently find the name “Bradley Johnson of Sabine Pass” because there was a Bradley Johnson who fought in the Civil War. That Bradley Johnson was the uncle of the person in question. The Bradley Johnson we are talking about was Benjamin Johnson, the county commissioner’s son. The phrases “according to” and “as legend has it” both work in this case. It’s a bit complicated.

Brad Johnson was well liked in Sabine Pass, and he was a bit of a Robinhood when it came to cattle. Back then, families who owned cattle let them graze unsupervised. Most families had a brand, and that allowed them to identify their animals when it came to rounding up the herd. Apparently, though, cows went missing. Brad Johnson never owned cattle, but he had a pen with cattle in it. As legend has it, a group from the sheriff’s office went to investigate, and as soon as the lead officer tried to open the pen’s gate, a shot rang out, missing the officer’s finger. I have no idea who shot a bullet from a rifle at an officer because someone had a pen of cows belonging to others.

Apparently, some families (four) that won’t be named here (but might be named in the articles) possibly hired a guy to take out Brad Johnson. As you can read in the article, the two men knew each other, but Tom Long was not from here. He had only spent a couple of years in SETX. In the end, though, he knew to get “the hell out of Dodge!” This is a weird story that I can’t document, but it is true, even though there are facts missing.

Bradley Johnson’s story is nowhere to be found in Ancestry, Find A Grave, and Mildred Wright’s cemetery books. Then, I found a link on MyKindred that named his wife and six kids. This allowed me to do at least a little research on Ancestry, but it ended there. I wasn’t looking for whole paragraphs on him, but I thought there might be a little bit of information online since he was liked by fellow Sabine Passers. Nada! I haven’t gone down the rabbit hole regarding Tom Long, but I imagine he is also a ghost online. Who knows? And I’m sure that the families who might have paid for Long’s train ticket did not mention this event.

As far as I’m concerned, there’s now a blog on this story, with facts from a newspaper source. Until next time, don’t go around stealing people’s cattle! And if I can digress a bit, I discovered that bulls are okay with someone on a riding mower sprinting by, but as soon as you start up a line trimmer, they freak out. I never saw a bull hide behind a truck until this Monday. I’ve since named the bull in question Shirley. And yes, I’m serious!

Jeanette Catherina Stengle:

Thoughts and Ramblings: Galveston Historic Homes Tour is a Done; Treaccar House; Bill Quick

Today is the last day of the 51st Annual Galveston Historic Homes Tour, and I hope most of you had a chance to visit the treasures on the program. The weather has been fantastic this year, and the wildflowers at the Broadway Avenue Cemeteries are as beautiful as ever. I was tempted to make another round of visits this weekend, but, alas, work calls.

I left out a couple of mentions last week because I didn’t want to spoil the stories for those taking the tour this weekend. However, since this blog drops on Sunday morning at 12:01, hard cheese! I loved the 1889 Joseph and Elisabeth Treaccar House and the story of the 1900 storm. Joseph Treaccar was a carpenter by trade, and he built this house and the house next door which was used as a rental property. (Note: The house next door is not in the greatest shape, but it’s livable. I’m sorry for blurting out “And it hasn’t been painted since!” when the porch docent told us the house was built in 1895. The porch docent was fantastic!)

The story goes that Mr. Treaccar made holes in the bottom floor so the rising water would anchor the house and not wash it away (good thing the Galveston Historical Foundation wasn’t around to stop him!). It worked, and the house still stands—with a little help from the current owners. On the tour, they pointed out the wood covering the holes that Treaccar made. You can tell it’s different from the rest, and I’m glad the current owners kept it. I’m certain it will be a good conversation piece for years to come.

As I said last week, the GHF was superb compared to previous years, and people were kept moving, even with seven houses having mandatory bootie calls! No shoes, just bare feet or booties. I’m curious to know the total number of people who took the tour. As a volunteer gatekeeper last week, I had 360 people enter my home in four hours. The record for me is 700 in five hours at the cover house back in 2022. For a Sunday, this was unheard of, but we got them through. I usually do two two-hour shifts, but we were shorthanded, and it was hot. Luckily, the Candy Lady, Beaumont History Bits (Bitsy), and I survived!

The 1899 Felix and Eva Mistrot House (the cover house) is gorgeous both inside and outside, but I wonder about a few things. According to the porch docent, the owners requested that people enter the home with booties or socks. I can understand this, and when you tour the home, you see that all the furniture is museum grade. No sitty no touchy! I’ve asked this question every year: Why does someone who owns such a home put it on the tour in the first place? They know damn well the public likes to touch and sneak a photo. I carry a camera, but the photos stop at the porch; however, I’m usually wired for sound, and I have recordings of the tours since 2012. I find it useful to review past tours and look back at some of the stories the docents added based on their knowledge.

Finally, during the Galveston weekend, I discovered the origin of the biplanes that I enjoyed watching flying over the cemetery. Apparently, they are scallywags, and they do biplane flight tours! I’ll leave a link to their site at the bottom of this blog because I think this is awesome.

Now that the tour is finished, I need to get back to doing research for the Texas Historical Commission’s atlas of cemeteries here in Jefferson County. I want to try to at least fix our side once and for all. I’m tired of the same old questions that I’ve answered before. This is what happens when you have multiple people and leads on a certain area or place. You get overlaps, and it screws things up. I get why the commission wants us to do this; the atlas does need an overhaul. Hopefully, by the new year, I will be able to answer most of the questions to satisfy them and eliminate the overlap, but it is hard to plead your case when you have little evidence to submit.

On that note, I want to get into past historians. I am not a historian; I am a researcher. I’ve always loved history. I imagine that Mr. Gothia would disagree because I would sleep during his classes at Thomas Jefferson High School in the 1980s. It wasn’t his fault; he was a good history teacher. It must have been an after-lunch thing. I’ve always been drawn to English and Welsh history, but World War II history, especially the Pacific theater, has become a major goal for me. I want to learn about both sides of the conflict. I only began my journey on SETX history in 2012. W. T. Block had a lot to do with it at the beginning . . . but.

My first Jefferson County Historical Commission meeting took place in 2012. It was a year to the day that Bill Quick had died. Over the next couple of years, I began to learn about Mr. Quick through those who knew him. I was also honored to be able to look through his papers at the Sam Center in Liberty. I found many things that helped me with my way of researching Florence Stratton in his work. Even though I never met him, Bill taught me how to research, and although he didn’t publish any books, he was, and still is, the guide that I needed. I will always give him the utmost respect.

Until next time . . .

Scallywag Air: https://www.facebook.com/scallywagair

Broadway Cemeteries Galveston Wildflowers:

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51st Annual Galveston Historic Homes Tour 2025

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51st Annual Galveston Historic Homes Tour

The Galveston Historic Homes Tour is an annual event that celebrates the rich architectural and cultural heritage of Galveston, Texas. Established in 1974 by the Galveston Historical Foundation, the tour was created to raise awareness of the city’s extensive collection of nineteenth- and early twentieth-century homes and to support historic preservation efforts. Each May, the event opens the doors to privately owned historic homes, many of which are not normally open to the public. The tour showcases a variety of architectural styles—including Victorian, Greek Revival, and Queen Anne—and offers a glimpse into Galveston’s prosperous past as a major port city. Over the decades, it has become one of the largest and most anticipated heritage events in the country, attracting thousands of visitors eager to admire the craftsmanship and history preserved in these iconic structures.

Our trip to Galveston on Friday was delightfully uneventful! It was nothing like last year when we lost power under the oaks on Ye Olde Block Farm on Thursday, followed by driving along the beach road during a lightning storm on Friday. Fortunately, this year’s storms stayed north of the Interstate 10 corridor until we settled into the Airbnb and made a trip to Old City Cemetery.

The wildflowers at the cemetery were as beautiful as ever, but the photos I posted didn’t do them justice because it was cloudy. I am currently at the cemetery this Sunday morning, taking a few photos before my shift at the 1896 James and Pauline Foster House (3523 Avenue P). Morning shots are fantastic! One note I will add is that I was pleasantly surprised by the spontaneous airshow that ensued when two biplanes began their maneuvers over the island, complete with smoke trails. I know they had fun, and I thank them for the show.

The rain moved offshore Saturday morning, leaving the atmosphere cloudy, cool, and breezy—a perfect setup as we made our way to our first home, the 1886 Richard and Eliza Walker House at 1705 Ball. We arrived twenty minutes before the start of the tour, so there was no wait, and we were the first to tour the house. In fact, I found that there was little wait for most of the tours, except for two, which I will get to later.

I thought that Richard and Eliza Walker House was outstanding, with a beautiful interior and staircase. It is well worth a visit, although you would have to “love thy neighbor” to live there, as you can almost shake hands from window to window in both homes. I will also add that seven of the eight houses require you to wear booties for the tour.

Next on the list was the 1886 Jacob and Martha Bernheim House at 1814 Sealy. There was no wait, and I really loved the original floors and wonderful porches. Note that as I write this, I’m sitting on a porch enjoying the constant breeze here in Galveston. The porch is not as attractive as the ones on the tour, but I think we can all agree that sitting on a porch in May, working or vegging out and enjoying the breeze, is almost spiritual—I digress.

 1890 Clarke and Courts Building (fifth-floor loft) at 2400 Mechanic, New Jersey, designed by Clayton and Company, is accessible via stairs only—there is no elevator access. And boy, did I pay to climb this mountain. It’s a beautiful loft, but when you have a sciatic nerve problem, it’s like climbing Mount Everest. I made it—yay!

Our next adventure took us to the 1886 Mollie Walters House (Preservation in Progress) at 2528 Post Office. I will say that this was the second longest line of the day, behind only the Cover House, which I find odd. Normally, a restoration in progress doesn’t have any docents or lines of people waiting to visit, but as the last remaining bordello in the Red Light District, I hope to visit this treasure when the restoration is complete—during the Historic Homes Tour, of course! Note: This was the only house where booties were not required! I’ll stop now.

The 1896 Charles and Louisa Flake Cottage at 1901 25th Street is another treat worth visiting. I thought the lines were stagnant when we arrived, but fortunately, the crew (docents) kept the line moving. All homes on the tour did a great job of maintaining the flow!

After the usual lunch stop at Shrimp N Stuff, it was time for a visit to the 1896 James and Pauline Foster House at 3523 Avenue P, designed by Charles Bulger. If you’re reading this blog on Sunday, May 4, come by for a visit! I’ll be there from 10:00 a.m. to 2:00 p.m. to sign you in. I love this house and hope to see you there!

The last two homes I want to explore next week, but the cover house, the 1899 Felix and Eva Mistrot House at 1804 35th Street (designed by George B. Stowe), was my second favorite wrapped porch after only the McFaddin-Ward House in Beaumont. The 1889 Joseph and Elizabeth Treaccar House at 2928 Avenue K has an interesting story, but I’ll leave those details to the docents on houses, as my intention here is not to tell you the whole story but to encourage you to do the tour and visit these lovely homes, where you can hear the fascinating stories firsthand while in the houses yourself.

Again, another great tour with a bunch of awesome crews. I really enjoyed this tour, sciatic nerve and all. The City Cemetery is also a stop not to be missed, especially if you are a photographer.

Until next time . . .

51st Annual Galveston Historic Homes Tour FYI!

The 51st Annual Galveston Historic Homes Tours is here, and the Galveston Historical Foundation, along with its many volunteers, will be there to guide you, inform you, and hopefully educate you on these precious structures, but please note that there will be delays, long lines, and booties at some of the homes. Which ones, I have no idea, but I’ll definitely get into that on Sunday.

People tend to take this tour in different ways, and I want to help you as much as possible so you can have a wonderful experience visiting these treasures. First off, buy your tickets online. Keep them on your phone and/or print them. This should make it easy for you to pick up your tour book/ticket when you are at your first house. It shouldn’t be a secret that credit card machines, and the many gremlins inside their wires, like to screw with this technology. Most of the time it works, but I’ve volunteered for 11 years, so… Also, cash for tickets will be taken, but I haven’t heard if there will be cash boxes. There wasn’t last year, so we couldn’t give change. Keep this in mind. This was a new arrangement last year, so any disgruntled persons should contact the Galveston Historical Foundation. As a volunteer, I will quote Sgt. Oddball on this: “Don’t hit me with them negative waves.” My animal spirit, Yukari Akiyama (秋山 優花里), backs me up on this.

When taking the Historic Homes Tour, you should have a plan.

1. Each ticket is valid for one visit to every house on either weekend. If you can go both weekends, taking the tour with family and friends is a great experience. However, if you only have one weekend or even only one day, then it is better to take the tour with no more than three people. Long lines can be an obstacle. One year, I took the opening-day tour solo, and there was a point when I passed in front of 14 people because they only had enough room for one more person in the group.

2. Some of the houses are in the same neighborhood, so have a plan to park centrally. You will be able to walk to multiple places without wasting time looking for a parking spot for the various destinations.

3. NO HEELS! I should have put this up top. This is the one thing I’ve never understood. Why would someone wear heels on a home tour that involves walking upstairs and on lovely restored floors? If you do wear heels, you’ll end up walking through some stranger’s house shoeless. There was an instance when a homeowner had their beautiful restored floor damaged by someone who chose not to wear comfortable shoes. The money raised by the tour paid for the floor to be restored again.

4. Booties! Speaking of shoes, it is always inevitable to have one house on the tour that doesn’t want you prancing around in heels or people walking on their newly restored floors. I get it, restoration is expensive! But then why have your home on the tour? Anyway, I digress. This will undoubtedly slow down the people taking the tour. So, you may have to wait some time.

5. It may be better to visit popular homes, such as the cover house, at the beginning of the day, during lunchtime, or close to the last tour (six in the afternoon). I’ve found that these times have fewer lines.

6. Volunteers. Most of the people who check your ticket, sell you the excellent wares that the Galveston Historical Foundation offers, and are stationed throughout the properties are volunteers. This means they are not getting paid. The white shirt–black pants army is there to keep the tour rolling and help you visit these beautiful homes. I say this because when you find yourself in a line, know that most of these people are doing the best they can to give you a great experience.

7. Visit the Old City Cemetery! The wildflowers are lovely and a great photo opportunity for photographers.

8. Make sure to look for the cemetery tours hosted by Kathleen Maca. They sell out fast! The reason is that she is a great storyteller and has written several books on Broadway’s prominent cemetery.

See you on the tour!