The Galveston Historic Homes Tour begins next week, and I am ready! I hope you are too and look forward to seeing you there. Here I want to offer a few tips on tour etiquette that will make your visit much more pleasant.
Each ticket is valid for one visit to every house on both weekends. If you can go both weekends, taking the tour with family and friends is a great experience. However, if you only have one weekend or even only one day, then it is better to take the tour with no more than three people. Long lines can be an obstacle. One year I took the opening day tour solo, and there was a point when I passed in front of 14 people because they only had enough room for one more person in the group.
Some of the houses are in the same neighborhood, so have a plan to park centrally. You will be able to walk to multiple places without wasting time looking for a parking spot to the various destinations.
NO HEELS! I should have put this up top. This is the one thing I’ve never understood. Why would someone wear heels on a home tour that involves walking upstairs and on lovely restored floors? If you do wear heels, you’ll end up walking through some stranger’s house shoeless. There was an instance when a homeowner had their beautiful restored floor damaged by someone who chose not to wear comfortable shoes. The money raised by the tour paid for the floor to be restored once more.
Booties! Speaking of shoes, it is always inevitable to have one house on the tour that doesn’t want West End Wanda prancing around in heels or people walking on their newly restored floors. I get it, restoration is expensive! But then why have your home on the tour? Anyway, I digress. This will undoubtedly slow down the number of people taking the tour. So, there may be some waiting time.
In popular homes, such as the cover house, it may be better to visit at the opening, during lunchtime, or near the last tour (6 p.m.). I’ve found that these times have fewer lines.
Volunteers. Most of the people checking your ticket, selling you the excellent wares that the Galveston Historical Foundation (GHF) has to offer, and who are stationed throughout the property are all volunteers. This means they are not getting paid. The white shirt-black pants army is there to keep the tour rolling and help you visit these beautiful homes. I say this because when you find yourself in a line, know that most of these people are doing the best they can to give you a great experience. Concerning the historical knowledge of these places, I am looking forward to seeing what the GHF will offer its volunteers. One year, I volunteered to be a docent on the front porch and all I got was a 3 x 5 index card of information. I’ll get into this next week.
Visit the City Cemetery! The wildflowers are lovely and a great photo opportunity for photographers.
Make sure to look for the cemetery tours hosted by Kathleen Maca. They sell out fast! The reason is that she is a great storyteller and has written several books on Broadway’s prominent cemetery.
City Cemetery
Until next week, I bid you adieu! And remember, no heels!
It’s been ten years since I began my research journey into learning about some of SETX’s history, and boy, have I been down many rabbit holes! I’ve met many interesting people and seen many interesting things. I’ve cherished the opportunity to visit so many houses and museums and to witness people open up about their own reflections on the past. Joining the Jefferson County Historical Commission (JCHC) and visiting the other county historical commissions has also provided me with a wealth of knowledge. In fact, if you enjoyed the past cemetery tours at Magnolia, you can thank the Liberty County Historical Commission for being the inspiration for them. The two cemetery tours they performed were nothing short of brilliant. I really hope that they’ll one day bring back Whispers from the Past. I’ve always enjoyed volunteering. Taking photographs for the Beaumont Heritage Society was invariably interesting, especially when they started running the Heritage Happy Hour event. There were a lot of lovely places, but I always preferred the Chambers House Museum events. Why? Because it was like visiting your grandma’s house. (Well, unless your grandma had millions of dollars—then maybe it wouldn’t be up to standards. But Papa Homer was thrifty and taught his girls well.) Truth be told, my grandmother lived in a single-story, two-bedroom house in Port Arthur with a husband, five sons, and one daughter, and I believe she wouldn’t have been happy living at the Chambers House simply because it wasn’t within one mile of her church. I can’t comment on the rest of the occupants would have felt. Speaking of the Chambers House Museum, I’d like to give a special mention to Virginia Bowman who worked at museum. It was Ginny who set me off on my journey to research Florence Stratton, and after ten years of studying Florence’s life, I’m indebted to her. Much of my time has been spent on researching Florence, as it should be. I don’t know if I’ll be the one to write her autobiography, but at least the facts of her life and shenanigans have been discovered and are available in my archives (and I have a lot of them!). Getting back to the topic of volunteering, it’s no secret that I love the Historic Homes Tour in Galveston. I’ve taken the tour for years, and it’s an annual part of this blog. I love taking the tour on the first Saturday, but I also love volunteering with Bev Davis, a member of the Liberty County Historical Commission. She’s the reason I check you through the gate into the cover house on Sunday. Other subjects I’ve researched have taken up much of my time. One of them is the Interurban. As I wrote a couple of weeks ago, this was the pinnacle of the conversations I had with Jerry Burnett. Something about an electric train running from Port Arthur to Beaumont from 1913 to 1932 seemed unique to me. Another topic was Catherina Stengele. After hearing the story of a lowly seamstress who saved her money solely to buy a mausoleum, I knew it was something I had to look into. As usual, the facts were much more fascinating than the story. Much like my research on Florence researching Catherina is still ongoing. What was probably one of my most incredible rabbit hole moments happened in Greenlawn Cemetery, where I saw a porcelain photo of a young girl attached to a flat headstone with this poem beneath: If I must die then die I must and when the coffin round me rusts my bones will go whence they came and all that’s left is my name. To shield that name I’ll do my best; that’s all that’s left when I’m at rest. I’ll do no harm and bring no shame upon my dad and mother’s name.
For weeks, I researched the origins of Virginia Lee “Gene” Rowley’s poem and her short life. What I found went beyond her life and told the story of a family filled with both tragedy and impressive accomplishments. After my original research hit a dead end, I was still unaware of what had happened to Gene’s siblings Jerry and Vera. But a family member saw my original blogs and introduced me to the Rowley Trio. I spent many late nights going through newspaper archives and even YouTube videos of their musical journeys. The Rowley Trio was KFDM radio’s backup band and was also a part of the Louisiana Hayride circuit. They even got a mention in George Jones’ autobiography. Apparently, George didn’t like waking up early to perform at 5:30 in the morning. In my office, I have a photo of the Rowley Trio—Jerry, Vera (Dido), and Evelyn (Jerry’s wife)—with Johnny Horton. It’s an excellent conversation starter and a reminder that there are more stories like this. Another story I’d like to know more about is that of Hugo J. DeBretagne. Hugo was killed on the 3rd day of the Battle of Tarawa and buried at sea. A memorial stone was placed in Greenlawn Cemetery with the following inscription: In memory of Hugo J. DeBretagne, CO D 1st Bat. 2nd Marines Killed at Tarawa Buried at sea. Oct. 13, 1923 – Nov. 23, 1943
World War II—and especially the Pacific War—has been my greatest research project. You could say that the movie Tora Tora Tora has a lot to do with that. Still, there’re no words to describe the feeling of being a kid and seeing a formation of T-6 Texans modified to look like Japanese Zeros flying over Nederland, Texas, headed for Jefferson County Airport to participate in the Confederate Airshow.
Until next week, keep looking back. Sayonara さようなら
Last week, I came across an interesting story via our JCHC
calendar. On April 14, 1923, Deputy Sheriff Artie Pollack found a moonshine
plant built in the treetops at the rear of a farm in the Baldridge section
between Magnolia Avenue and Collier’s Ferry Road. Only accessible by boat, it was
cleverly hidden about 12 feet above the water. The journalist Gus A. Flasdick provided
many details of the surroundings and how if it wasn’t for deputy Pollack’s
knowledge of the area, the still would never have been found. The article is
worth reading, so I’ve added it to the end of this blog for all to soberly (or
somberly) enjoy.
This article reminded me of a Susie Spindletop quote from the later
prohibition years. East Texas had been deluged with rainfall one year, and
there was a story of most moonshine stills being destroyed in the floods: “My
boyfriend cried for weeks.”
Fellow JCHC member Don Smart found the article and many others
during his research. For those of you who have taken the Magnolia Cemetery
tour, it was Don who found the original story of Wong Shu. You would have also
seen him on last year’s tour, bringing Beaumont firefighter and baseball player
Speedy Eldridge’s history to light. Don is also why I have a few issues of
Port
Arthur’s high school’s yearbook, The Seagull,from the 1920s. He is
a great researcher and has a wealth of knowledge of Beaumont baseball.
I said last week that I would provide a little more information
on what’s brewing here “Under the Oaks” on Block’s farm. I will be taking the Galveston
Historic Homes Tour on Saturday, May 7. As usual, I will be giving updates that
day on wait times and such via the Facebook page. I will also be checking you
in at the gate of the cover house on Mother’s Day on Sunday, May 15. I hope to
see you there.
Every year, I look forward to the Historic Homes Tour, but my
tour would not be complete without starting at the Old City Cemetery. The
wildflowers are a must-see and a great photo op for photographers.
Other future events are in the works; I’ll have more
information later. However, in the meantime, the main event will be the Historic
Magnolia Cemetery Tour 2022. We are currently planning the tour, which will be
held in October. Also, Magnolia Cemetery has restored the old office, and it is
now applying for its Historic Texas Cemetery Designation.
At the beginning of this blog, I mentioned that the JCHC has a
calendar. We also have a newsletter that you can sign up for and a Facebook
page to follow and see what happened “on this day in history,” among other
things. Until next week, I bid you adieu, but I leave you with Deputy Pollack doing
his job well and Beaumonteers thirsty.
Sources: Don Smart Collection, Beaumont Enterprise, Jefferson
County Historical Commission.
Deputy Sheriff Artie Pollock Finds Moonshine Plant Built in
Tree Tops
Place Reached By Using Boat
Moss Concealed Barrells of Mash and Two Crude Liquor Stills
By Gus A.
Flasdick
An “aerial distillery” has been brought down near Beaumont.
The plant was found by Deputy Sheriff Artie Pollock, about a mile in the rear
of a farm in the Baldridge section between Magnolia avenue and Collier’s Ferry
road, mounted on a platform about 12 feet above the water and carefully
concealed and camouflaged with moss and shrubbery to match the surrounding
scenery.
The find was the result of nearly three months investigation
and is considered the prize “haul” of the season. Unlike most other stills captured
in this section of the state in recent months, this plant was almost safe from
detection and only one thoroughly acquainted with the surroundings could have
located it.
On the platform, which was reached by climbing a crude
ladder, affixed to the side of a thick cypress tree, there was not only a
complete whiskey manufactory, but all other paraphernalia connected with the
industry. There were five barrels of corn mash, apparently in a finished state
of fermentation and ready to go through the “worm,” a crude charcoal furnace
built out of a galvanized iron washtub, several empty bottles, jugs and
demijohns, several funnels, two lanterns, a quantity of cotton straining cloth,
a bag of corks, a bucket, two wagon axles and an alcohol proof gage.
Air-cooled Worm
The still, or stills, for there were two of them, were of
the crudest construction. One was about 25 gallons capacity, apparently
originally built of copper and made to accommodate about 15 gallons, but it had
been enlarged with galvanized tin and it was estimated that approxi by this
operation. Other was made from a standard 10 gallon milk container, the worm
from which led to a copper condenser can which also served the larger still.
But one coil, a half inch copper tube, about 25 feet in length, served both “cookers,”
and unlike other “worms” was air cooled instead of water cooled.
The still was approachable only by boat, being erected
almost a mile from land over stagnant waters of the Baldridge section. To reach
the exact location one must have a thorough knowledge of the surroundings, for
a single wrong turn of the bow of the rowboat, would mean a new beginning.
After nearly an hour of careful maneuvering among
water-covered tree trunks, shrubbery, and driftwood, we finally reached the so-called
“aerial distillery.” It was utterly impossible to even imagine a whisky still
in that part of the woods and even as the deputy sheriff pointed out the place
to me I was unable to observe anything resembling a still until we were well
within ten feet of it.
Four Trees joined.
A crude ladder, nailed to the side of a large cypress tree,
was the only means of reaching the plant, and after we securely tied our rowboat to
another tree, we ascended to the platform about twelve foot above the water.
The builder was careful to select four trees, forming a square, in which to
built his plant. Four pieces of planking, about two inches thick and about a
foot wide, nailed to each of the four trees, served as the foundation. Over
these were laid twelve pieces of planking of the same dimensions and they
formed the platform.
The eyes was first caught by the number of barrels. There
were five of them, about 60 gallons capacity each, and all were fully charged
with bubbling mash, apparently ready for distillation. A heavy canvas cloth
laid over the open tops protected them from falling leaves and dead bark.
In the center of the platform was the stove, a galvanized
tub, the bottom of which was filled with bricks and cement and through the
sides of which were cut a number of air holes. The furnace was laden with
charcoal and apparently ready to light.
Beside it lay a full sack of charcoal.
Across the top of the tub-furnace there were two heavy iron
bars, formerly wagon axles, upon which sat the cookers, one a cooper-iron box,
the other a milk can. There were slots for loading the mash and from each ran a
small copper pipe, connecting with a single condenser.
Moss
hid Barrels
American guns and munition dumps in France were well camouflaged
against detection by the Germans and it
was a bit of this very same art that probably protected this moonshiner from an earlier raid. Moss and
shrubbery were his main assets, though he also used wire in his art.
The wire was fastened to the four trees at a level about
four feet above the platform, or about three inches above the tops of the
barrels. From the wire line heavy strands of moss were hung and the general
appearance from a distance blended with the natural background of the thick
woods. Unless one was aware of its existence and exact location the plant could
never have been found. It was the most thoroughly disguised still ever captured
and though virtually every officer in
east Texas was aware of its existence, none had ever succeeded in locating it
though many had tried.
Exactly three months were spent by Deputy Sheriff Pollack in
his systematic investigation and whenhe set out to destroy the plant he knew
exactly how to reach it.
The two stills were taken to the sheriff’s office and
samples of the mash were taken as evidence. The remainder of the plant was
destroyed and for many miles about the spot the sour essence of corn could be
detected in the atmosphere after the five big barrels of mash were dumped over
into the water. The platform was torn down.
Stills at almost every description are on display at the
sheriff’s office, and at the federal courthouse. All could tell a sad little
story, but none like the two captured in Baldridge
When delving into historical research, whether as a hobby or
as an attempt to keep specific memories alive, you meet many people from
different cultures and backgrounds, as well as those similar to yourself who
have their own history niche. The first Jefferson County Historical Commission
(JCHC) meeting I attended was in 2012, one year to the day Bill Quick died. I
didn’t know Bill, but his way of researching and those who knew him changed my method
of gathering historical information. He believed that your ongoing research
must be correct to pass on to the next generation, and he was a stickler for
detail. This should be a no-brainer for everyone, but humans will be humans,
and we can get lazy. Researching a subject can take years, and even then you
may never find your answer. It took me five years of my ongoing research on
Florence Stratton to determine that her birthday was March 21, 1881. Five
years, but I did find it. And to Bill’s credit, I had six verifications,
although Bill would have wanted at least three. I would have loved to talk with
him about many topics, such as this.
Over the years, I’ve talked to many people about SETX and its history, and I cherish them. One of the great things about being on the JCHC is seeing new members pursuing their research and interests. There is much work going on, and I hope they will keep these projects alive by writing them down and placing them in public for all to discover their work. Speaking of the JCHC, I would like to give a big shout-out to their new coordinator, Jen Trenbeath. Having known Jen for the past couple of years, I am confident that she will do a great job!
There are also people who are not on the JCHC that I’ve
cherished for years as a link to local history, who I relied upon their
expertise, and who, sadly, we have lost. Jerry Burnett was my insurance agent—largely
by default; my father sought him out in the 90s. When my father died in 1998, I
relied on Jerry for insurance. In later years, I got to know Jerry, and we
always discussed Port Arthur’s history. We spent many hours discussing our city
and its past. The interurban was front and center in our discussions, and any
train or railroad question fell into his expertise.
I love talking about local history, but it was always unique
to discuss it with Jerry. Not only did he know Port Arthur’s history but he
also collected information and sometimes objects from a forgotten era that most
would throw away. Thanks to him, I have my Port Arthur telephone book (1947).
A few weeks ago, I received a letter from Jerry’s office that
he had passed in February. It was a shock to find out. The last time we spoke
was in October, and as usual, our insurance discussion quickly turned into yet
another recollection of our city’s past. I will undoubtedly miss our
conversations and his input on some of my projects. Rest in peace, Jerry.
A sibling of mine visited this weekend—it has been decades
since she left the area. We went on a driving tour of mid- and south-Jefferson County
and visited old haunts, such as the old neighborhood, Griffing Park, Eddinston
Court, the seawall, and the old crabbing site on Pleasure Island. Everyone knew
to line up at the schoolhouse to your crabbing site to catch your limit, right?
Fun times! Conversations about past restaurants such as Leo and Willie’s, Farm
Royal, the Fish Net, Monceaux’s, El Charro, and Guadalajara’s delightfully made
our final leg of the tour finish at the Schooner restaurant.
Martha “Toodlum” Ferguson
I also had the chance to browse through a few Port Arthur High
School yearbooks this morning. I have four issues of the Seagull from the
1920s, and it’s always interesting to look back at a few interesting characters
from our history. Some may have known this little lady as Martha, but most knew
her as Toodlum. “Hello, Port Arthur. I love you and everyone here,”
she would one day write.
I will be involved in a few projects this year, starting in
May. I hope to get into some details next week, but until then, I bid you
farewell.
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